Guardsmen stirred at their posts, their forms drab and bulky in the early morning mist. Dew stretched white on the Commons, awaiting the sun. On the practice football field, guardsmen sleeping under tents awoke to see the first students of the day: the dishwashers and board jobbers who worked in the university dining halls. They trudged by with hardly a glance at the young soldiers. “Think we’ll get out of here today?” a soldier asked his sergeant. “Man,” the sergeant said, “I hope so.”
I wanted to get the hell off the police beat before I ever got there. There were few bylines to be had out of that shabby carbuncle of an office in Central Station on Payne Avenue, where everything smelled of urine, disinfectant and stale tobacco. You were afraid to touch anything for fear of contracting a disease. In those days the police liked to …
“Out of all the movies I’ve ever done,” says Rene Russo, who catapulted from Major League into a fantastic Hollywood career, “that’s the one that more people come up to me to talk about. It really is a cult classic. Not even cult, really. Everybody just loves that film.” The movie has become part of baseball’s life cycle. As the snow begins to melt in late March, fans gather in rec rooms and basements and replay the movie in a cherished ritual that indicates a new baseball season is about to begin.